Salma Agha Songs

Posted : admin On 25.01.2020

Tracks Kehna Na Tum Yeh Kisi Se (Pati Patni Aur Tawaif) Zindagi Tere Dar Pe Fanaa Kar Chale (Salma) Wafa Se Chala Hai Mohabbat Ka Naam (Mahaveera) Teri Mohabbat Meri Jawani (Pati Patni Aur Tawaif) Mera Naam Salma (Aap Ke Saath) Aye Mere Mehboob Meri Zindagi (Salma) Mujhe Log Kehte Hain Kadmon Ki Dhool (Pati Patni Aur Tawaif) Shah-E-Madina (Salma) Salma Agha is a Pakistan-born British singer and actress, who sang as well as acted in Hindi language films of India in the 1980s and the early 1990s. Born in Karachi and raised in London, where she received several film offers from Indian directors. Her first film was the romance Nikaah, for which she won the Filmfare Best Female Playback Award from four nominations and was also nominated in the Best Actress category. ►Click to Watch Best of Kavita Krishnamurthy Songs Jukebox - ►Click to Watch Hits Of Udit Narayan Songs Jukebox - Enjoy and stay connected with us!!

  1. Salma Agha Songs Lyrics
  2. Calming Relaxing Music

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As the Swedish Super Troupers get together to sing again, Sunday Times revisits a forgotten album of Hindi covers of their top hits In 1981, a year before Swedish pop group broke up, a group of Indians got together to release an unusual album — Hindi versions of their biggest hits. The songs were sung by two teenagers, Sabina and, and went on to become one of the few non-film albums to be played on Ameen Sayani’s Binaca Geetmala.

Salma

Titled ‘Salma and Sabina Agha Sing the Hits of ABBA in Hindi’, the album was a unique experiment and a precursor to the Indipop revolution of the 1990s. “It was a trendsetter. All the other Indian pop albums came afterwards,” recalls the hazel-eyed Salma, who later starred in B R Chopra’s hit film,. It was the brainchild of London-based Pran Gohil, founder of British-Asian music label Multitone, who wanted to do a series of Hindi covers of western musicians for the Indian market. Amit Khanna, a lyricist and executive producer with Dev Anand’s Navketan Films, was commissioned to write original lyrics for the first album, Boney M in Hindi. ABBA, which had dominated the last decade with catchy numbers such as Dancing Queen, and Super Trouper, was an obvious choice for the second. After Gohil bought the rights of the original tracks, Khanna suggested the Agha sisters, having worked with Salma for a film titled Naya Johnny, which was never released despite its star-studded cast of Dev Anand, Hema Malini and Shammi Kapoor.

Salma, who was studying in a school in London’s Hampstead, says the novelty of the proposal excited her. “It was such a popular group at the time in the UK,” recalls the actor, now based in Mumbai. “Songs such as Mamma Mia were already my favourites.” The Agha sisters were trained in Hindustani classical music, and Salma had already sung for BBC London and recorded an album of ghazals penned by her mother Zarina Agha. The eight-track album was arranged and recorded in one hectic week.

Salma Agha Songs Lyrics

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“I remember we worked very hard,” says Salma. Instead of imitating ABBA’s style, the sisters gave their own girlish rendition of the popular melodies. The lyrics are in Hindi, but share the earworm quality of the original.

So Dancing Queen became Meetha Mazedar, Mamma Mia turned into, and Money Money Money into Kabhi Kabhi. The playful lyrics speak of the headiness of first love, a lovers’ tiff, separation and yearning, and the thrill of romantic encounters.

Songs

Calming Relaxing Music

They also have elements that are uniquely Indian: young love and the fear of social disapproval. Barring a couple of pensive numbers, most of the songs are peppy and fast-paced. For Khanna, then 30, it was an opportunity to break the mould.

“I was one of the first to mix Hindi, Urdu and Hindustani,” says Khanna, who has also worked with disco and Indian pop icon Biddu. “It was tough because the structure of a pop or rock song is distinct from that of a conventional Hindi film song,” Khanna says. “I was able to work on it only because I was familiar with western pop, so my language was idiomatic and contemporary.”.